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apanese Cinema – Texts and Contexts

130,00 DH

Explorez 24 films japonais emblématiques à travers les décennies.
Rencontrez des réalisateurs légendaires comme Kurosawa, Ozu et Miyazaki.
Comprenez la culture derrière la caméra et à l'écran.
Rempli de perspicacité académique mais facile à lire.
Includes full filmographies, glossary, and bibliography
Great for classrooms, film clubs, or solo study
No spoilers — just context, craft, and curiosity
A must-have for anyone serious about world cinema 🎬🌸📽️

In stock
12X13X14 November 5, 2007 English 382 pages , ,

Authors

apanese Cinema – Texts and Contexts

Alistair Phillips

Alistair Phillips-Davies, CBE (born 22 July 1967) is a British businessman. He has been the chief executive officer (CEO) of SSE plc, a FTSE 100 electric utility company, since July 2013, succeeding Ian Marchant. However, Alistair is no longer the CEO of SSE Energy Services, which was previously owned by the SSE plc Group, but […]

Book By Alistair Phillips View All
apanese Cinema - Texts and Contexts Alistair Phillips, Julian Stringer
Julian Stringer

Julian Stringer

I am currently researching the cultural politics of location filmmaking as well as several projects related to East Asian cinema. In recent months, I have organized two academic conferences in China: Moving Images and the Digital Eco-City at Shanghai Expo (Oct. 2010) and (with Tsinghua University) International Seminar for Cinema and Television in the 3D […]

Book By Julian Stringer View All
apanese Cinema - Texts and Contexts Alistair Phillips, Julian Stringer

Description

Dive into the rich and mesmerizing world of Japanese cinema with this carefully curated collection that spans from silent classics to modern masterpieces. Each chapter zeroes in on a landmark film — think Seven Samurai, Late Spring, or Ring — unpacking not just the story and style, but also the cultural, industrial, and historical forces that shaped it. The editors bring together top scholars whose insights reveal how these films reflect and reshape Japanese society, making this more than just a film guide — it’s a cultural time machine.

What sets this book apart is how accessible it is, even when tackling complex ideas. Whether you’re studying Ozu’s quiet domestic dramas or Miyazaki’s animated fantasies, each essay gives you enough context to appreciate why these films matter — without drowning you in academic jargon. The chapters are concise but packed with meaning, perfect for dipping in and out of, or using as springboards for deeper exploration. You’ll finish each one with a new lens for watching — and understanding — Japanese film.

Beyond the films themselves, you’ll get a full filmography for each director covered, plus a helpful glossary of Japanese cinematic terms and a solid bibliography if you want to keep reading. It’s designed to be both a classroom staple and a personal companion for curious viewers. The editors clearly know their stuff, but they also know how to share it in a way that invites you in, whether you’re a total beginner or a seasoned cinephile.

Japanese cinema isn’t just about samurai or ghosts — it’s about human emotion, social change, artistic rebellion, and national identity. This book shows how directors like Kurosawa, Oshima, and Kitano used the screen to ask big questions and push boundaries. You’ll see how war, gender, technology, and globalization left their fingerprints on the films — and how those films, in turn, left their mark on global cinema.

Perfect for students, teachers, or anyone who loves film, this volume doesn’t just tell you what to watch — it helps you see why it’s worth watching. It’s respectful of the art form, curious about its context, and generous with its knowledge. Keep it on your shelf as a reference, or curl up with it like a guidebook before your next movie night. Either way, it’ll deepen your appreciation for one of the world’s most influential and beautiful cinematic traditions.

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